Shared Dreaming
A joint work of Aboriginal Artists and Mo.
Mo's first approach to Aboriginal art was in a very chic gallery of Paris. He was touched by the intensity and the vibrations
and since, could not wait to go further.
This was one of the reasons for him to come to Australia.
Shared Dreaming… Why this name?
We all have dreams. Mo’s greatest dream is to dedicate his life to art and to making connections between people.
When he arrived in Sydney 10 years ago Mo didn't imagine it would happen this way, but meeting Judi Muller from Mulapa Aboriginal Art was certainly a significant step in his journey. She is the one who first connected him with Aboriginal artists.
The concept of Shared Dreaming is to capture the spirit of Aboriginal paintings and transform them into beautiful wearable pieces of jewellery. Jewellery that is beautiful to the eyes and beautiful to the heart. Mo believes this collection of collaborative jewellery is a wonderful opportunity to spread the Aboriginal Culture around the world. This is what sharing means to him.
When he arrived in Sydney 10 years ago Mo didn't imagine it would happen this way, but meeting Judi Muller from Mulapa Aboriginal Art was certainly a significant step in his journey. She is the one who first connected him with Aboriginal artists.
The concept of Shared Dreaming is to capture the spirit of Aboriginal paintings and transform them into beautiful wearable pieces of jewellery. Jewellery that is beautiful to the eyes and beautiful to the heart. Mo believes this collection of collaborative jewellery is a wonderful opportunity to spread the Aboriginal Culture around the world. This is what sharing means to him.
How are these collections made?
If Mo is a dreamer, he sure is a hard worker too! After countless hours of experimentations and short comings his resilience allowed him to continue to fail successfully.
Epoxy resin is not an easy material to work with; one must consider a myriad of rudiments, the perfect mix, temperature, humidity, not to mention the capricious tendencies of Dutch Gold leaf… However burning the candle at one end is never enough for Mo so he decided to add a design… this interesting little opening full of wonderful revelations.
The result of this alchemy is his unique pieces of jewellery, one of a kind little masterpieces.
Epoxy resin is not an easy material to work with; one must consider a myriad of rudiments, the perfect mix, temperature, humidity, not to mention the capricious tendencies of Dutch Gold leaf… However burning the candle at one end is never enough for Mo so he decided to add a design… this interesting little opening full of wonderful revelations.
The result of this alchemy is his unique pieces of jewellery, one of a kind little masterpieces.
In what fashion does Mo work jointly with Aboriginal artists?
While Mo works mainly with Warlukurlangu Artists, he also spends some time in Yuendumu helping in the community and carefully selecting artworks he would like to transform into jewellery. Mo states “Each time I go there, I learn a lot as an artist and as a man.” Mo has experienced many wonderful encounters over the years including with Kerry Madawyn McCarthy at Yubu Napa Art Gallery 2015... The immediate affinity was the foundation for the RAK BULGUL’s collections and more recently he has been approached by Artlandish Art Gallery to work on Bianca Long’s paintings.
Mo has a deeply ethical approach to his collaborations with the indigenous artists and is adamant that 10% royalties must be reserved for them on any sales made on pieces incorporating their work.
Mo has a deeply ethical approach to his collaborations with the indigenous artists and is adamant that 10% royalties must be reserved for them on any sales made on pieces incorporating their work.
What is Mo’s background?
Mo was born in Paris in the mid-60’s. He was raised and nourished in the Parisian artist enclaves of Saint-Germain des Prés as he prepared for“Les Beaux Arts”Academy. His early work was strongly influenced by the surrealism of Dali and De Chirrico and later he discovered Picasso and was enlightened by the spontaneous approach to art in Gaudi’s Barcelona.
Inspired by such artistic spontaneity Mo establish an interior design consultancy based in Paris, exploring new ways to integrate sculpture and painting, he used light and harmony to bring life to his work. However Mo began to experience a deep desire to concentrate on his art, exploring new techniques combining an eclectic mix of materials with painting and In 2006 he was awarded a 1st place at “Art et Métier” school.
On a trip to Sydney in 2005 Mo experienced the annual event Sculptures by the Sea and was heartened by the movement of space and freedom to work in the natural environment compelled him to settle in Sydney where he proudly became an Australian citizen in 2011.
His fascination for the female form, curves and lines and the effects of light upon them led him to explore all the curvilinear possibilities offered by resin, furthermore the way that gold and silver leaf can be concealed within it. Using this process he has now been making his unique collection of jewellery for the last 7 years. During this time the local Art Trail (Bundeena/Maianbar) has provided great opportunities to meet people from all over this great country. Mo is now settled in the Southern Highlands.
Inspired by such artistic spontaneity Mo establish an interior design consultancy based in Paris, exploring new ways to integrate sculpture and painting, he used light and harmony to bring life to his work. However Mo began to experience a deep desire to concentrate on his art, exploring new techniques combining an eclectic mix of materials with painting and In 2006 he was awarded a 1st place at “Art et Métier” school.
On a trip to Sydney in 2005 Mo experienced the annual event Sculptures by the Sea and was heartened by the movement of space and freedom to work in the natural environment compelled him to settle in Sydney where he proudly became an Australian citizen in 2011.
His fascination for the female form, curves and lines and the effects of light upon them led him to explore all the curvilinear possibilities offered by resin, furthermore the way that gold and silver leaf can be concealed within it. Using this process he has now been making his unique collection of jewellery for the last 7 years. During this time the local Art Trail (Bundeena/Maianbar) has provided great opportunities to meet people from all over this great country. Mo is now settled in the Southern Highlands.
A last word?
“I am only an artist but I think we all have our part to play in our World. These paintings turned into jewellery are not only pieces of jewellery. They are an emblem of a whole incredible Culture. Making them, offering them, wearing them, is each time a step towards Recognition. Working with Aboriginal Artists since 2013 has made my dream come true. I would love you to share the Dreaming.”
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